The women of GOT are out for blood in “The House Of Black And White”. While Brienne racks up the biggest bodycount, the title refers to the headquarters of the Faceless, where Arya is beginning her apprenticeship in the arts of nothingness. Of course, she already has a head start on becoming a murderess, as while she only crosses off a pigeon this week (though in ruthlessly efficient way that demonstrates how much more formidable she’s become since we saw her chasing them in the first season), her list of names has gotten noticeably shorter – just Cersei, The Mountain, Walder Frey, and Meryn Trant. I’m not sure how Roose Bolton and Ilyn Payne managed to slip off, but that should still be plenty to occupy her for a couple seasons.
The return of Jaqen is welcome (because obviously) as is the added glimpses of Braavos, probably the most intriguing corner of this world that has gone largely unexplored. You can tell it’s new because the theme music when entering is surprisingly jaunty from a show whose normal musical palette varies between ominous and straight up dirge. It contributes to a different feel from anywhere we’ve been, but with a scale and look that is better realized than Astapor or Qarth; the season’s increased budget is perhaps more noticeable in the dragon effects, but since those scenes haven’t thus far added up to much in story terms, I appreciate it more when it’s building out the setting.
Or Jon Snow. That bastard gets his greatest wish granted, his father’s name, and the chance to rule the North in it*. But he’s too much a Stark to actually be a Stark, not when it would mean breaking his vow to the Night’s Watch. But even if he’s not Lord of Winterfell, he is the new Lord Commander of the Watch, in a twist that I can’t believe I didn’t see coming at all. Following a rousing stump speech (which goes delightfully negative on the useless Janos) by Sam, Jon is suddenly catapulted to a position of power that has the potential to put him even more at odds with Stannis than ever. Things at the Wall are happening at a faster clip than they ever have before, and along with the addition of Stannis’s crew and Jon’s increased self-possession, it has made that, if not my favorite part of the show, at least pull ahead of the stuff in Mereen.
Over there, Barristan convinces her not to give in to her genetic bloodlust, but she ends up having to take the head she didn’t want instead of the Harpy’s she did. He unknowingly echoes the same thing that Bronn tells his fiancée, which Jon also suggests to Stannis: cruelty may be a tempting way for a ruler to maintain control, respect, or at least the feeling of the same, but it has a way of breeding as many enemies as it suppresses. Bronn may not really believe in the crude form of karma he describes, but even in a world where nobility tends to breed decapitation, meanness does have a way of coming around.
Now if it would just come around faster. Is it Sunday yet?
*I know the theory, not going to discuss it until it comes up in the show