Ah, that hit the spot.
“Battle Of The Bastards” was light on surprises and heavy on stupidity,
but it was still quite satisfying for all that. It delivered payoffs years in the making, in
particular the horrible death of Ramsay. Any episode that included him getting pummeled
by Jon and fed to his own dogs by Sansa was going to automatically be one of
the most favored episodes of the series, but we also get to see Tormund rip the throat
out of badjon Umber and the slavers put down once and for all over in Mereen.
In Mereen, the stupidity is on the masters’ side, as they
somehow managed to be blindsided by Dany pressing the “DRAGONS” button. Even assuming they somehow missed that the big
one dropped her off at the top of the giant pyramid they were in the process of
attacking the night before, they make reference to the fact that she still has
2 others chained up in the city, either one of which would’ve been enough to
burn through their fleet. And besides,
it’s not like Drogon appearing out of nowhere to ruin the Harpys’ surprise
attack was without precedent. This was like attacking a McDonalds and not having a plan for when they start throwing McNuggets.
"Wait a tick...didn't this exact same thing happen to us in episode 9 last year?" |
Despite the most extensive dragon action maybe ever, Grey Worm swiping a hard left on 2 of the 3 main masters, and the
most ridiculously overpowered cavalry charge ever when Daario brings an
entire hoard of thousands down on about 10 Harpy footmen, the more exciting
development was four people standing in a room talking. The masters have never been more than a speed
bump, albeit a frustratingly persistent one.
The Greyjoys are much more significant characters, and their
significance is to Westeros, which is what actually matters in the end. Letting Dany interact with real characters is
always better than watching her awkwardly mount CGI dragons. She and Yara hit it off pretty much instantly
(oh, there will be fanfic…), which leads to the women agreeing perhaps too
quickly to major concessions in cementing an otherwise natural alliance. On Dany’s end, she agrees to grant the Iron
Islands’ some measure of independence mainly because they asked nicely, which
Tyrion rightly points out will lead to Dorne and the Vale and the North asking
why they shouldn’t be independent as well.
While on Yara’s, she agrees to overhaul the entire cultural identity and
economic backbone of the Islands at a stroke, something that is easier promised
than delivered.
"My dad was an evil murderer."
"Shut up! My dad was an evil murderer!"
"Did we just become best friends?"(#boatsandhoes) |
But his emotional stupidity is at least grounded in
the minor death wish he's manifested since returning from the relative
peace of oblivion, as evidenced by his request that Melisandre not
resurrect him a second time. And it is nothing compared to the
abject, ludicrous idiocy Sansa displays by not telling Jon that, oh
yeah, there
is a whole other army out there that has offered to help. I understand her rejecting Littlefinger’s
offer in the first place, but once she decides to write him I can’t fathom why
she would keep it secret from the her own men at arms. Particularly
once she’s pleading with Jon not to force the battle until they have more men
and he’s point blank asking "when are we going to have more men??" Now, maybe she thought the element of
surprise was worth more than getting houses like the Glovers onside by
convincing them it was not a lost cause.
That still seems like something to discuss with the battle commanders,
but I can still get behind it as a plausible, if not wise, decision. But you don’t have to be Sun Tzu to know that
they would draw up very different battle plans if they knew there was an extra
thousand cavalry coming to help. And
then to argue that we should wait for more men while actively hiding the
availability of those men is completely dumbfounding. I mean, what happens if Littlefinger shows up 3 minutes later? Oh right, the
entire Stark force is wiped out and either the Boltons retain Winterfell or it
goes to the pimp by default.
Though I suppose she did learn the art of stupid subterfuge from the best |
What particularly irks about this is that you could
have played out roughly the same events without the suicidal stupidity by the
characters. Instead of the arrow game,
have Ramsay start strapping Rickon to a cross in preparation to flay him on the
field. That could force Jon to order a
charge despite knowing it was a bad idea to give up their protected position,
and one that would not be a complete act of suicide since he would be bringing the entire army instead of just himself. And on Sansa’s end, have her tell Jon about
the knights of the Vale, but give him a reason to advocate not waiting for
them. Something as simple as a winter
storm coming in, that they do not have the provisions to wait out if they are stuck outside Winterfell. So he says we have
to fight today, or become sitting ducks, while she says wait for
reinforcements. Same basic conflict, but
with defensible motivations to support their positions.
But that’s enough dwelling on the dumbness, because we got
to see Ramsay’s demise, and “only” lost Rickon and Wun Wun (sidebar: lucky for Jon that Ramsay decided to put his
arrow in the already dying giant’s eye, rather than his bastard rival,
huh?) in the process. That’s enough to be one of the most memorable
episodes of the show, even if I think it falls short of standards set by
previous Big Battle episodes like “Blackwater” (still the show’s finest hour,
imo), “Hardhome” (the show’s best action sequence, imo), and “Watchers On The
Wall” (similarly huge scale, without making the characters’ completely
dunderheaded). And if this episode is
light on surprising twists, I think that's a natural symptom of the show
entering the home stretch. In the early and middle portions, a show
like this can get a lot of mileage out of upending convention and
spinning the story in unexpected ways. But when it comes time to
conclude things, after years of establishing a particular storytelling
ethos, the possibilities become much more limited. Once all the set up
is locked in place, there are only so many pay-offs that will register
as earned. Which is to say, if the twists aren't quite as shocking
anymore, it doesn't necessarily mean that Benioff, Weiss, or Martin have
lost a step; just that we've had more time to study their habits and
practice predicting their moves.
I would also be remiss if I didn't comment on how superbly
directed it was by Miguel Sapochnik. The claustrophobic terror of
Jon being crushed under the mob of fleeing men was exceptionally, queasily
realized, and Jon’s ride to save Rickon was edited to perfection to make a
foregone conclusion hit as hard as possible.
Then you have the long one-take of Jon fighting, the incredible hero shot
of him facing down the cavalry charge with Longclaw in hand, and things like
Tormund and Wun Wun climbing out of the scrum to chase Ramsay, or the gorgeous
shot of Davos standing by the pyre as the sun begins to rise. “Battle Of The Bastards” may not have been
the heroes’ smartest hour, but it was tense, brutal, genuinely exhausting and
generally as well-realized as medieval battle sequences get. Plus Wun Wun picked up a guy and ripped his
head off his body, so he gets awarded a posthumous Who Shmushed It Better? Award.
Subplot Report Card:
Mereen: B+
The North: A- (no amount
of Stark stupidity can ruin Ramsay’s utter defeat and gruesome demise)
Season Morgulis:
Doran Martell, Trystane Martell, Areo Hotah, Roose Bolton, Walda Bolton,
Balon Greyjoy, (-Jon Snow), Shaggydog, Bowen Marsh, Othell Yarwyck, Alister
Thorne, Olly, Osha, Khal Moro, Euron Greyjoy (-Euron Greyjoy), Summer, Leaf The
Child Of The Forest, The Wargist Formerly Known As The Three Eyed Raven, HODOR,
Septon Swearengen, Brynden “Blackfish” Tully, Lady Crane, the Waif, Rickon Stark, Badjon Umber, Wun Wun, Ramsay
Bolton
Death Watch: I think
Tommen burns up in the sept next week, with Lancel, Septa Unella and the High
Sparrow as well. I’m also going to say
Walder Frey learns that A Girl is not No One.
I agree with the stupidity of the characters' motivations, especially after the creators have done so well in similar circumstances. (As you said, the Battle at Castle Black is a great example of this.)
ReplyDeleteBut, in thinking about it, I think they've been doing a few blundering moves in terms of character motivations in order to get to certain payoffs. So, that means that likely Jon's rage and Sansa's subterfuge will pay off in the future - just at the expense of believable moment to moment motivations to get them there.
It feels to me like they have an exact plot structure to hit and they are simply pushing characters towards more and more unearned arcs, shortcutting with deaths of minor characters (and rape, in some cases.)
Which, if it must be this way in order for the whole enterprise not to come crashing down, then so be it. It's still the best longform fantasy series period. I'm just starting to get the feeling like they aren't going to stick the landing (particularly when the most emotionally resonant story so far involves holding the door.)
This is going to have an especially tough landing to stick, for sure. There are practically 5 different shows to bring together and wrap up for the end.
ReplyDeleteI do think the added TV-ness of the show has made this season weaker than those prior, but the highs are still so damn high.